My Bloomsburg Fair Experience

Ever since my bout with benign vertigo forced me to cancel my trip to eat my way through and photograph the Bloomsburg PA Mac & Cheese Festival I’ve been itching to go there.  So for several months I had the annual the Bloomsburg Fair on my calendar, but as things got closer to my planned travel date we got caught up in a couple of ugly weather systems that threatened to scrub yet another road trip. Even though Bloomsburg is one hundred thirty miles from where I live, the town experienced the same non-stop rain. Then work got in the way for the couple of days that were somewhat dry. Saturday was my last chance and also the last day of the fair! I shook off some mild reactions to the covid and flu shots I got the day before and left at nine.

After a two plus hour drive, I was rewarded with a ten minute traffic jam just to get into the enormous field that served as a parking lot. When I finally found a parking place it seemed I was in another state, but after a long walk I purchased my ticket at the admission gate and strolled into the fairground.  The Bloomsburg Fair is said to be the largest in the state and it sure looked that way! Not only was it packed with cars and people, but there was more! I’ve seen and had my share of kitsch and junk food, but I’ve never experienced so much of it all together in one location!! I mean it was unreal and as far as the food goes there should have been a sign at the entrance gate stating that consuming this stuff, even in small quantities posed a major health risk!

I know, it was probably all pretty lip-smacking good, even the nasty looking stuff. Unbelievably though, I didn’t even purchase a tacky tee shirt or sample any of the fries, various deep fried meats (I’m a vegetarian after all), bake goods, ice cream, waffle cakes, cotton candy, fudge and so on.

I did manage to run through a role of 120 Tri-X before declaring no mas. The people were interesting and I think I might have gotten a keeper or two. And speaking of interesting people, next week follows up with one of my favorite events of the year, the annual Asbury Park Zombie Walk. Once that’s done I’ll develop all of the negatives and make proof sheets.

Life is good … the journey continues!

Stay well,

Michael

A Bit About My Photograph … “Metro, Paris”

I started to go to Paris in 1981 as part of my responsibilities when I worked at the State Department. Probably about thirty trips between then and when I left for my next big job in 1986. Sorry, but someone had to do it! I brought my camera with me whenever I traveled overseas, which was a lot! I would try to get to where I was going a day before my meetings started. This was important for two reasons … I could rest up from the all night flight from Washington, DC, but more importantly, I could wander around the city I’d be staying in and make some pictures.

During this time I went from using Canon SLRs to Leica rangefinders and single lens reflex cameras and finally on to my first Plaubel Makina. If a trip was long enough I would find some time to photograph between meetings and other work I would be doing at the embassy. I never took a taxi if I could walk somewhere in a reasonable amount of time, sometimes the metro if need be. The great thing about the Leica’s and even the Plaubel Makina is that they were small enough to fit in my briefcase, a pocket in my suit jacket or my London Fog.

One of the early pictures I made was on the underground platform at a Paris Metro station while waiting for my train. Just the right kind of environment for a Leica … not that much available light, slow shutter speeds and the need to be discreet.  I was milling around when I noticed a family and some other passengers sitting on a bench waiting as I was for the train to arrive after a long day. To their left was a wide stairwell with a bored looking woman standing in front of it, and a small lit exit sign overhead.  Next to that was the train tunnel itself. And far down the track was a quickly approaching train with a single light on in front that pierced the darkness surrounded it.

I didn’t have much time to think about it, compose the picture, focus and make an exposure. But I did and in an instant the picture was gone and we were all on the train together. When I sat down I finally got a chance to think about the scene that had quickly unfolded before me and what kind of lives these people had.

I like this picture … the strange and difficult bright lighting that contrasts with the black of the tunnel and the people all in their separate worlds, waiting to go home. It’s been a long time since I made this print, but I remember it took some effort due to the lighting extremes. Nevertheless it was rewarding and a good example of why you should carry your camera with you whenever you can!

Stay well,

Michael

A Bit About My Photograph … “Husband Liberation, NYC”

I think I was about seventeen or eighteen when I made this picture. My cousin Elliot and I drove up to Spring Valley, Long Island to where we were staying. The next day we went into the city and just walked around … except for our lengthy stop at the long gone and lamented Crazy Eddie stereo store.  We ended up walking out with Elliot’s new and largest /heaviest stereo receiver I had ever seen/picked up and carried.  The Pioneer and its box had to weigh at least seventy five pounds … maybe more! All I know is it took two of us to carry the beast! Somehow we managed to get it to our car that was parked in some garage that wasn’t nearby at all.

But for the rest of the day and part of the next one I spent my time meandering around Manhattan, with occasional breaks for some deli at Katz’s and Ratner’s. Ratner’s is also long gone, but I still have fond memories about how great that strawberry cheese was. So good that we bought an entire one to bring home in the car. Yeah, right … it never had a chance and was devoured long before we got back!  I used either my Pentax Spotmatic or Nikkormat … can’t remember which one I had then. Either way it was just a camera body and a fifty millimeter lens. All I needed, and all I could afford!

I had never been to New York before and everything was fascinating! I shot a couple of rolls and ended up with a few good pictures, but one in particular was a real keeper. I called it Husband Liberation for one of the signs the subject had attached to himself. The picture was made during the height of the Woman’s Liberation movement.  I never fully understood if this guy was serious or whether it was a joke, but I had to get the picture!  It’s something you would probably never see today … and for good reason!  Nevertheless I still enjoy looking at it and remembering my first visit to New York.

Feel free to hammer me if you must!

Stay well,

Michael

A Very Special Moment

A week ago on Friday I moderated a panel of several Monalog’s members as part of the opening for our current show. One of the of the questions I asked my colleagues had to do with recounting one of their most exciting or satisfying photographic experiences. As moderator with privileges I decided to also answer my own question and talked about an experience I had during a trip to Israel with my family.

We were part of a tour and my wife and kids were going to go shopping for the afternoon. I had been making a lot of photographs during the trip and was asked if I would like to go to a refugee camp on the West Bank. I love my family but I couldn’t pass up this opportunity! A young rabbi with contacts on the West Bank took me and a couple others. I ended up spending the afternoon walking around and chatting with those that could speak English and communicating with smiles and a gesture or two with others. You’d be surprised how far a smile can take you … in photography … and in life!

It was truly one of the great photographic experiences of my life. Ansel Adams once said “Twelve significant photographs in any one year is a good crop.” All I can say is that I was in a zone that afternoon as I ended up with a handful of special images. One of the pictures I chose for this show was made that afternoon and it’s one I care about the most … and think about often.

I saw all these kids playing, smiled and showed them my camera. Then I gestured to see if I could make a picture. It was like they knew exactly what to do as they gathered together. Most of them smiled or made silly faces, but one did not.  It wasn’t an easy life they lived and I was an American after all. Nevertheless they stopped what they were doing to let me peek into their lives for just a moment and capture something special.  They were about the same age as my kids but their lives were very different.

Years have gone by and much has happened there, and so I’ve often wondered how life treated them.  I’ll never be able to find that out, but I will always have my memories of that wonderful afternoon and a special moment in time I was lucky enough to capture.

Stay well,

Michael

 

A Naked Experience

Last weekend I photographed at the 14th Annual Philly Naked Bike Ride. Well, actually not the bike ride part of it. I got to Lemon Hill, the staging and body painting area and hung out for a while, then back home and on to Jersey for my grandson’s birthday party by dinner.

The exact staging location and route is kept Top Secret until 24 hours prior to the event, and because I certainly didn’t “have a need to know” I had to wait like everyone else until the day before to learn where I would be going. Very mysterious if you ask me!

It was an interesting experience to say the least!  The two goals of the event are to promote body positivity and cycling as a major form of fuel alternative transportation. Great … I’m all for both! Milling around and schmoozing I learned about all sorts of things, like a nudist organization in Maryland and where to go for nudist dances in Delaware. And because my Plaubel Makina stuck out like a sore thumb I was asked by several participants to take their pictures, au naturale of course. While most of the naked cyclists had their cell phones, one actually had an a Nikkormat loaded with some type of 100 ASA film. I know this because he told me the meter didn’t work.  No problem, I used my Pentax spot meter and proceeded to make his portrait. I saw one other person using a Rollei TLR, but all of the other non-participants photographing seemed to be standing afar with their DSLRs and LONG lenes.  Lily-ivered voyeurs for sure!!

I have never been at an event like this before, but thankfully I wasn’t nervous at all.  And unlike those with their bazooka lenses I wanted to get up close and make some interesting and non-gratuitous pictures. The Plaubel’s 80mm lens … which is equivalent to a 40mm on a 35mm camera … is perfect for this.

Good for Philadelphia for hosting this and thanks for to the weather that cooperated.  I had a great time and a fascinating experience.  A keeper will be the icing on the cake!

Stay well,

Michael

Another Monalog Show!

I’m pleased to announce another Monalog show that I’m a part of starting this week at the Banana Factory Arts Center in Bethlehem, Pennsylvania. Yes, that’s right … another Monalog show … but wait, there’s more!   In addition to having a couple of pictures on display, I will also be moderating two panel sessions on September 1st and October 6th at 7 – 8pm with some of our members.  See below from the Banana Factory announcement!

If you happen to be in the Lehigh Valley area I would love to see you!

The Monalog Collective: Traditional Black and White Analog Photography

August 27 – October 29, 2023

The Monalog Collective is a group of like-minded photographers formed to promote traditional analog black-and-white photography and the industry that supports it. This exhibition of photographs, made by nine Monalog Collective Members, includes modern and historic applications of traditional emulsion-based processes. All images are original and hand-made by the artist. Each photographer has selected a specific process that best captures and expresses their vision of and feelings for a desired subject which is then revealed and shared via the finished print.

Artists:
Mel Evans
Jim Fitzgerald
Marty Frank
David Haas
James Kipfer
Michael Marks
Phil McAuliffe
Peter Schrager
Rob Tucher

Please join us on Friday, September 1, and Friday, October 6th for artist panel discussions as part of our First Friday events those evenings. Panels will begin at 7 PM and are free to attend.

Image credit: Michael Marks

Banana Factory
25 W Third Street
Bethlehem, PA 18015
610-332-1300

Stay well,

Michael

Going Back Home Again

Thomas Wolfe wrote a novel called You Can’t Go Home Again and famously said “You can’t go back home to your family, back home to your childhood, back home to romantic love, back home to a young man’s dreams of glory and of fame”. The full quote is a little longer, but this is the part that matters the most to me.

Last week I went home to where I spent much of my youth and grew up … Buffalo, New York. My parents and I moved there when I was five, bringing my mother back home where she grew up and lived until she took a train out of town to join the Coast Guard and serve her nation during World War II. I lived there until I left for graduate school and then I was gone, only to return with my wife to visit family and friends, then cemeteries.

To say I have fond memories of my youth and where I lived is an understatement.

I hadn’t been back home for a meaningful visit in over five years, not since we had the graveside memorial for my wife’s father. Then a few things came up and Covid happened. I had gone to my thirtieth and fortieth high school reunions but missed the forty fifth because it took place on the same day as my granddaughter’s birthday. Who does reunions in September!  So about a year ago I contacted the person who puts these things together and suggested the fiftieth be held during summer.  Six months or so ago I received an email saying it would be in August! Immediately I talked to my wife and called my daughter. The weekend of August 12th was now on the calendar. Don’t schedule anything that involves me then because I won’t be around.  Thankfully they agreed and remembered!

The reunion was set for Saturday evening. Perfect!  I drove up on Thursday, met a business colleague from Canada for a couple of hours that afternoon, then spent most of the rest of my free time making photographs until leaving on Sunday. The rest of the visit was spent with friends eating more pizza, ice cream, curly q fries, donuts and other assorted junk food than anyone should during a concentrated period of time.

I had decided it would be fun to do a personal photographic project to coincide with the fiftieth anniversary of my graduation, so before leaving Doylestown I compiled a list of places I would like to make pictures of. It wasn’t an exhaustive list; I knew from previous visits that some of my old hangouts were long gone, but I was hoping that there would still be a number of places left that had real meaning to me.

One great thing about Buffalo is wherever you want to go is not a long of a drive from where you are, and while I tried to do things logically, I still crisscrossed the city a few times.  But damn, I had a lot of fun going through all that gas!  As with the personal project I did during Covid, I wasn’t necessarily looking to make artistic statements. Rather, I was seeking out images that were purely important to me.  Most of the things on my list were still there in some fashion, but others like the department stored I worked as a teenager and the dock I rode my bike to go fishing on Saturday afternoons were gone. The department store on Hertel Avenue had been replaced by a large brown multi-occupant building and where the old dock on Niagara River once stood now a marina, a park or apartments were there. I couldn’t pinpoint the exact location so don’t know which one for sure. Nevertheless, it hurt. I went back two days in a row hoping to somehow find the spot, but struck out both times.

In the end it didn’t really matter as I saw … and remembered so much! The two houses I lived in, my elementary school and high school, the cemetery my parents are buried in, my favorite bowling alley, the old North Park movie theater, the zoo, Bocce Pizza, home of the best pizza in the world, Louie’s Foot Long Hotdogs, for the best curly Q french fries, and the camera store where I bought my first serious camera, an Argus C3. These were a few of the places I stopped to make a picture and on occasion have a nice chat. All told, I made six rolls worth of pictures with my Plaubel Makina 670.

When I walked inside Camera Mart to take a look around, the young man behind the counter got very excited. He had read about Plaubels, but had never seen one in the flesh, let alone had one right in front of him. We talked for awhile about film photography and the cameras he used. Finally, I had to let him hold it, look through the viewfinder and push the shutter release. I think it made is his day and it made me feel good.

Buffalo was home, where my family was, long passed but still there. My childhood was gone but my childhood friends were still there. My romantic love is still with me, fifty two years later, every time I look at my wife or think about her when I’m gone.  My young man dreams have been fulfilled … I’ve had a great and meaningful life!

I can’t wait to develop my film and look at the proof sheets!

Oh, and by the way, the reunion was a blast!

You can go home again. I did!

Stay well,

Michael

How Many Books Is Enough?

The short answer is I don’t know.

I recently purchased a few more monographs to fill some important holes concerning photographers I admire and I believe to be important including Bruce Davidson, Eugene Smith and George Krause. Currently I have nearly one hundred and sixty monographs and related books (e.g., Magnum Contact Sheets and several fine books containing the work of the great Life Magazine photographers). And these don’t include other photography books I have that cover craft and other technical areas. There are perhaps a few others I would like but they’re not mission critical. So I think I am closing in.

Some might think you can never have enough good books so I am sure that my home library may be small compared to others, but I have worked for many years to curate a group of books that gives me continued enjoyment, inspiration and teaches me new things.

I’m also running out of dedicated space, just as I am with my record collection. I have nine empty cubicles remaining in my IKEA Kallax shelves and I think 6,000+ LPs are probably enough!  But is one hundred and sixty books give or take enough?  I think so, with maybe a couple of gems to be added if stumbled upon, or I come up with the extra cash to by the nineteen volume The Portfolios of Brett Weston, published by Lodima Press. Currently the remaining hardbound copies go for a cool three grand and the softbound ones can be had for $895.

Oh well … but I don’t think about that very often as I have some other wonderful Brett Weston monographs.

So I am pretty happy. I have a great collection of books and a wonderful space to enjoy them in. What could be better?  A few things, but not too many. What could be worse? Not having a them!

What is enough for me may not be for you. But you do need some kind of a library of books by the photographers you admire, whatever amount is. And the number isn’t important at all. The only thing that’s important is that you have books. If you don’t you’re really missing out something truly important and in my opinion absolutely necessary!  In a perfect world I/we would own the many photographs we love, but that really isn’t feasible for most of us. Either because they’re not affordable or they’re pretty much unobtainium.  But books aren’t a bad alternative, and besides, they take up a lot less space!

I’m very happy with my library. If you don’t have a photographic library get started putting one together ASAP with whatever amount makes you happy.

Just do it!

Stay well,

Michael